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Film Noir
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New and Featured
 More Than Night: Film Noir in its Contexts
James Naremore
More Than Night is the first study of film noir that achieves the sort of intellectual seriousness, depth of research, degree of critical insight, and level of writing that this group of films deserves. Softcover, 384 pp. $28.95.
Blackout: World War II and the Origins of Film Noir
Sheri Chinen Biesen
After Pearl Harbor, America and Hollywood experienced a sharp cultural transformation that made horror, shock and violence not only palatable but preferable. Sheri Chinen Biesen brings archivel research, accesible prose and imaginative insights to both well-known film noirs of the wartime period - The Maltese Falcon, The Big Sleep, and Double Indemnity - and others overlooked or underrated - Scarlet Street, Ministry of Fear, Phantom Lady, and Stranger on the Third Floor. Softcover, 243 pp. $26.95.
 The Pocket Essential Film Noir
Paul Duncan
Noir explores the dark side of post-war society--gangsters, hoodlums, prostitutes
and killers--and shows how it corrupted the good and the beautiful.
Many of these films are now touchstones of what we regard as classic
Hollywood -- The Maltese Falcon (1941), The Big
Sleep (1946), Double
Indemnity (1944) and The Postman Always Rings Twice (1946). Softcover,
159 pp. $9.95.
Noir Movies: Facts, Figures & Fun
John Grant
A lightning survey of the best -- and the worst -- of the world of noir
movies. Perfect material for a movie based quiz or just a quiet read
in the smallest room in the house. Hardcover, 96 pp. $7.95.
The Philosophy of Film Noir
Mark T. Conrad
This is the first volume to focus exclusively on the philosophical underpinnings
of these iconic films. Drawing on the work of diverse thinkers, from
the French existentialist Albert Camus to the Frankurt school theorists
Max
Horkheimer and Theodor Adorno, the volume connects film noir to the
philosophical questions of a modern, often nihilistic world.
Hardcover, 248 pp. $50.50.
L.A. Noir: The City as Character
Alain Silver & James Ursini
Los Angeles has always been as much a star in film noir as any actor,
be it Humphrey Bogart, Barbara Stanwyck, Burt Lancaster, Ava Gardner
or Jack Nicholson. In L.A. Noir renowned film historians Alain Silver
and James
Ursini explore the world of noir cinema in the context of Los Angeles,
and consider how several key films have used the city's diverse geography
and architecture to convey a unique vision of urban corruption and
existential fatalism while chronicling the ever-changing cityscape
of this noir character
-- Los Angeles.
Softcover, 176 pp. $26.95.
It's a Bitter Little World
Charles Pappas
If you want to know the meaning of life, don't study Shakespeare, don't
peruse Plato. Everything that you need to know in life you can learn
from film noir. And everything you can learn from film noir, you
can find in
It's a Bitter Little World -- the smartest, toughest, and nastiest
quotes from the canon of film noir.
Softcover, 230 pp. $19.99.
Film Noir: From Berlin to Sin City
Mark Bould
This informative guide to film noir explores the murky world of a genre
responsible for many of film's most enduring images. Mark Bould discusses
problems of definition and the often ambiguous nature of film noir and
looks at contemporary 'neo-noir' films. From Weimer cinema to Sin
City,
this book
is an indispensible guide to this still popular genre. Softcover, 144
pp. $28.00.
Film Noir
Eddie Robson
Shrouded in suspicion, racked with cynicism and tortured by doomed
love, the cinema dubbed "film noir" includes some of the finest,
most innovative and interesting films that Hollywood has ever produced.
This
accessible and essential guide examines the defining movies made
in this brooding and menacing tone. As well as discussing plot and
structure in
detail, the book profiles iconic actors such as Robert Mitchum, legendary
directors like Billy Wilder, Orson Welles and Stanley Kubrick, and
writers such as Raymond Chandler, Dashiell Hammett and James M Cain.
Softcover, $37.50.
San Francisco Noir
Nathaniel Rich
All cities have their secrets, but none are so dark
as San Francisco's. With its reputation as a shadowy land of
easy vice and hard virtue,
San Francisco provided the ideal setting for many of the greatest
film noirs,
from classics like The Maltese Falcon and Dark
Passage to obscure
treasures like Woman on the Run and D.O.A., and neo-noirs like
Point Blank and The
Conversation. In this fascinating guide, readers are guided through
more than forty of the Bay area's most famous film locations.
Softcover, 167 pp. $23.95.
Film Noir and the Spaces of Modernity
Edward Dimendberg
Populated by double-crossing, unsavory characters, Film Noir
explored a shadowy side of American life during a period of tremendous
prosperity and optimism. By exploring key films of the genre, Edward
Dimendberg compellingly demonstrates how film noir is preoccupied
with modernity -- particularly the urban landscape. Softcover, 327
pp. $37.95.
Bullets Over Hollywood: The American Gangster Movie from the Silents to The Sopranos
John McCarty
In Bullets Over Hollywood, film scholar John McCarty traces
the history of mob flicks and reveals why these films are so beloved
by Americans. As McCarty demonstrates, the themes, the characters,
landscapes, and stories of the gangster genre have proven resiliant
enough to be updated, reshaped and expanded upon to connect even
with today's young audiences. Packed with information, anecdotes,
analysis and a solid historical perspective, Bullets over Hollywood will
be the definitive book on the gangster movie for years to come. Hardcover,
323 pp. $39.00.
American Gangster Cinema:
From Little Caesar to Pulp Fiction
Fran Mason
Touching on issues as diverse as masculinity, consumerism, technology,
and "the
American Dream", this book provides a fascinating look at the evolution
of gangster films. Films discussed include: Scarface, Goodfellas, The Public
Enemy, Miller's Crossing, The Godfather Trilogy, Reservoir Dogs,
and several others. Softcover, 184 pp. $33.95.
Heartbreak and Vine
Woody Haut
A companion piece to Woody Haut's two acclaimed histories of post-war American
crime fiction, Pulp Culture and Neon Noir, Heartbreak and Vine
tells the story of the intimate links between crime fiction and films. Recounting
the experiences of several screenwriters, this book provides an entertaining and
elucidating alternate history of Hollywood. Softcover, 312 pp. $29.95.
A Panorama of American Film Noir
Raymond Borde & Etienne Chaumeton
When it appeared in France in 1955, this book was the only of its kind to focus solely
on film noir. Now, for the first time, this seminal text is availible in an English
translation by Paul Hammond. Focusing of the genre's dreamlike, unwonted, erotic,
ambivalent, and cruel atmosphere, this book addresses the essential amorality of
noir, as it situates the films within the context of mid-century America. Softcover,
242 pp. $31.95.
Street With No Name:
A History of the Classic American Film Noir
Andrew Dickos
Thoroughly researched and impeccably written, this book traces the film noir genre
back to its roots in German Expressionist cinema and the French cinema between the
two world wars. Dickos describes the development of the film noir in America, from
1941 through the 1970s, and examines how this development created modern cinema.
Hardcover, $45.50.
The Art of Noir
Eddie Muller
As much as it was about crime, film noir was about style, mood and atmosphere. In
this remarkable visual catalogue, the ultra-stylish posters and graphics from the
classic era of film noir are beautifully reproduced in full-colour. With their tantalizing
mix of sex and violence, and expressive graphic quality, these posters still pulse
with the dynamism and allure of the mesmerizing films they were created to promote.
Hardcover, 271 pp. $75.00.
Backlist
 Death
on the Cheap:
The Lost B Movies of Film Noir!
Arthur Lyons
Robert Mitchum once said about his movies of the 1940s and 1950s: "Hell, we
didn't know what film noir was in those days. We were just making movies. Cary Grant
and all the big stars at RKO got all the lights. We lit our sets with cigarette butts."
In Death on the Cheap, Arthur Lyons looks at the history of the B movie and
how it led to the genre that would come to be called noir, a genre that decades later
would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and
L.A. Confidential. The book, loaded with movie stills, also features a witty and
informative filmography (including video sources) of B films that have largely been
ignored or neglected -- lost to the general public but now restored to their rightful
place in movie history thanks to Death on the Cheap. $25.95.
American Gangster Cinema: From Little Caesar to Pulp Fiction
Fran Mason
Touching on issues as diverse as masculinity, consumerism,
technology, and "the American Dream", this book provides
a fascinating look at the evolution of gangster films. Films discussed
include: Scarface, Goodfellas, The Public Enemy, Miller's
Crossing, The Godfather Trilogy, Reservoir Dogs,
and several others. Softcover, 184 pp. $33.95.
Black & White & Noir:
America's Pulp Modernism
Paula Rabinowitz
Black & White & Noir explores America's pulp moderism through penetrating
readings of the noir sensibility lurking in an eclectic array of media: Office of
War Information photography, women's experimental films, and African American novels,
among others. Rabinowitz asks us to view film noir as an avenue of social and political
expression. Softcover, $30.95.
Film Noir Reader 2
Slain Silver & James Ursini, eds.
Even better than the first volume, Noir 2 continues where the first left off with
essays on the evolution of noir into neo-noir by examining such films as Dark
City and L.A. Confidential and re-examines classic noir from the 40s.
The B&W photos alone are worth the price of admission. $32.95.
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